TABLE OF CONTENTS
Module 1: SPECIES COUNTERPOINT - Counterpoint and Cantus Firmus Principles
a. Introduction
b. Composing a Cantus Firmus – Types of Motion
c. First-Species Counterpoint
d. Melodic and Harmonic Writing
Module 2: VOICE LEADING TRIADS
a. Introduction, Types of Motion, Objectionable Parallels, Voice Ranges, and Rules of Melody, Meter
b. Rules of Spacing, Voice leading in Root Position, Triads, Compound Meters, Triples, Duplets, and Mixed Meters
c. Voice leading in First and Second Inversion Triads
d. Special Situations, Types of Six-Four Chords, Summary of Doubling Rules for Triads
Module 3: HARMONIC PROGRESSIONS - Creating chord progressions
a. Root movement and Circle Progressions
b. Ascending 2nds, Descending 3rds, and Other Progressions
c. The Minor Scales
d. The Harmonic and Melodic Minor Scales
e. Modes
f. Non-Diatonic Scales
Module 4: HARMONIC PROGRESSIONS - Harmonic Rhythm and Harmonizing Melodies
a. Harmonic Rhythm
b. Harmonizing Melodies
Module 5: THE DOMINANT SEVENTH CHORD - Function and Inversions
a. The Dominant Seventh Chord
b. Standard Voice Leading SATB
c. Alternate Voice Leading for Root Position
d. Alternate Doubling
e. Alternate Resolutions and Voice Leading of Dominant 7th
f. Chorale Exercises
Module 6: SEVENTH CHORDS - Voice Leading, Standard and Deceptive Resolutions
a. Seventh Chords
b. Seventh Chords and Roman Numerals
c. More on Seventh Chords
d. Refresher on Triad Inversions and Figured Bass
e. Clef, Pitch Numbers, and Seventh Chord Inversions and Figured Bass Symbols
f. Voice Leading Seventh Chords
Module 7: LEADING-TONE SEVENTH CHORDS
a. Introduction to Leading-Tone Seventh Chords
b. Harmonic Function of Leading Tone Seventh Chords
Module 8: NON-DOMINANT SEVENTH CHORDS in MAJOR KEYS
a. Introduction and Roman Numeral Identification
b. Harmonic Function of Non-Dominant Sevenths
c. Harmonic Analysis of Non-Dominant Seventh Chords in Context
d. Standard Voice Leading in Four-Part Chorale Writing
Module 9: NON-DOMINANT SEVENTH CHORDS in MINOR KEYS
a. Non-Dominant Seventh Chords in Minor Keys
Module 10: MODULATION: PHRASE and COMMON CHORD
a. Tonicization vs Modulation
b. Key Relationships and Modulations With Diatonic Pivot Chords
Module 11: MODULATION; CHROMATIC and ENHARMONIC
a. Modulation With Chromatic Pivot Chords
b. Modulations Without Pivot Chords: Direct Modulation
c. Modulations Without Pivot Chords: Common-Tone Modulation
d. Modulations Without Pivot Chords: Sequential Modulation
e. Enharmonic Modulation
Module 12: SECONDARY DOMINANT CHORDS
a. Secondary Dominant Chords
Module 13: SECONDARY LEADING TONE CHORDS
a. Secondary Leading Tone Chords
Module 14: BINARY FORM
a. Simple Binary
b. Rounded Binary Form
c. Phrase Structure
Module 15: TERNARY FORM
a. Simple Ternary Form
b. Compound Ternary Form
Final Exam
a. Final Exam
Description
Integrated Resources
ISBN
OnMusic Theory and Musianship II incorporates the concepts from Music Theory I. In addition, through guided composition and analysis, the course will include: an introduction to two-part counterpoint; voice leading involving four-part chorale writing; diatonic harmony; and an introduction to secondary/applied chords and modulation.
This course is a continuation of OnMusic Theory and Musicianship I. It provides a more in-depth study of scales, triads, diatonic harmonies, part writing, rhythms, sight-singing, ear training, dictation, form, history, and performance. It also includes the study of harmonic progression, dominant and non-dominant seventh chords, modulation, secondary function chords, and binary and ternary forms. It includes analysis and composition and is required for music majors.
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Academically rigorous, yet accessible and engaging, OnMusic Theory and Musicianship II is a complete music textbook, and gives you the most music for your online, hybrid, or face-to-face music course. Everything you need for your course is included. No downloads or extra resources necessary.
Music – Contains over 400 complete pieces – streaming right out of the pages. No other textbook (at any price) includes more music, and no other publisher has better implementation.
Highly Engaging and Interactive – Your students can actively interact with dictation and written skills practice knowledge checks. Additionally, students have access to multiple interactive practice exercises.
Online Music Dictionary – Only OnMusic titles offer integrated access to the Online Music Dictionary. This rich resource and C4E exclusive provides definitions, pronunciations, images, audio and much more.
Introduction Videos – Videos in every chapter reinforce student understanding and engagement. Our video applet keeps students on the page and on task.
Tests & Quizzes – Our online music appreciation textbook contains a comprehensive set of auto-graded quizzes and tests with test banks and anti-cheating measures built in. All testing is fully integrated and flows naturally from the text.
OnMusic Theory and Musicianship II
ISBN:978-1-7332655-7-7