OnMusic Theory and Musianship II incorporates the concepts from Music Theory I. In addition, through guided composition and analysis, the course will include: an introduction to two-part counterpoint; voice leading involving four-part chorale writing; diatonic harmony; and an introduction to secondary/applied chords and modulation.
This course is a continuation of OnMusic Theory and Musicianship I. It provides a more in-depth study of scales, triads, diatonic harmonies, part writing, rhythms, sight-singing, ear training, dictation, form, history, and performance. It also includes the study of harmonic progression, dominant and non-dominant seventh chords, modulation, secondary function chords, and binary and ternary forms. It includes analysis and composition and is required for music majors.
Academically rigorous, yet accessible and engaging, OnMusic Theory and Musicianship II is a complete music textbook, and gives you the most music for your online, hybrid, or face-to-face music course. Everything you need for your course is included. No downloads or extra resources necessary.
Music – Contains over 400 complete pieces – streaming right out of the pages. No other textbook (at any price) includes more music, and no other publisher has better implementation.
Highly Engaging and Interactive – Your students can actively interact with dictation and written skills practice knowledge checks. Additionally, students have access to multiple interactive practice exercises.
Online Music Dictionary – Only OnMusic titles offer integrated access to the Online Music Dictionary. This rich resource and C4E exclusive provides definitions, pronunciations, images, audio and much more.
Introduction Videos – Videos in every chapter reinforce student understanding and engagement. Our video applet keeps students on the page and on task.
Tests & Quizzes – Our online music appreciation textbook contains a comprehensive set of auto-graded quizzes and tests with test banks and anti-cheating measures built in. All testing is fully integrated and flows naturally from the text.
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