TABLE OF CONTENTS
Lesson 1: Ragtime, Popular Song, and the Jazz Roots of Rock
1. Introduction
2. Broadway and Ragtime
3. Dixieland
4. Swing and Big Band
5. Conclusion
6. Assessment
Lesson 2: Rural Blues and Urban Blues
1. Introduction
2. Musical and Poetic Form of the 12-Bar Blues
3. Rural Blues
4. Urban Blues
5. Boogie Woogie
6. Commercial or Arranged Blues
7. Conclusion
8. Assessment
Lesson 3: Other African American Roots of Rock
1. Spirituals
2. Gospel Music
3. Vocal Harmony Groups
4. Early Rhythm and Blues
5. The Audience for Rhythm and Blues
6. Conclusion
7. Assessment
Lesson 4: Hillbilly and Country and Western Music
1. Introduction
2. The Earliest Country Music
3. The Earliest Country Music (Continued)
4. Marketing and Consuming Hillbilly Music
5. The Rise of Country and Western Music
6. The Rise of Country and Western Music (Continued)
7. Conclusion
8. Assessment
Lesson 5: Rhythm and Blues Becomes Rock and Roll
1. Introduction
2. New Technologies and Means of Consumption
3. Alan Freed
4. Marketing and Consuming Hillbilly Music
5. Ray Charles and the Gospel Side of Rock and Roll
6. Rhythm and Blues Crosses Over
7. Cover Versions
8. Conclusion
9. Assessment
Lesson 6: Elvis Presley
1. Introduction
2. Sam Phillips and Sun Records
3. The Hillbilly Cat
4. Colonel Tom Parker and Presley at RCA-Victor
5. Presley’s Cover Versions
6. Presley After the 1950s
7. Conclusion
8. Assessment
Lesson 7: Rockabilly
1. Introduction
2. Rockabilly
3. Jerry Lee Lewis
4. Johnny Cash
5. Other Rockabilly Stars
6. Presley After the 1950s
7. Buddy Holly and the Crickets
8. The Day the Music Died
9. Conclusion
10. Assessment
Lesson 8: Teen-Styled Rock Music in the Early 1960s
1. Introduction
2. Payola
3. American Bandstand
4. The Teen Idol
5. Brill Building
6. Conclusion
7. Assessment
Lesson 9: The Record Producer and the Rise of Surf Rock
1. Introduction
2. The Rise of the Producer
3. Phil Spector
4. Girl Groups
5. Surf Rock
6. Conclusion
7. Assessment
Lesson 10: Soul
1. Introduction
2. The African American Presence in Pop
3. Motown 1
4. Motown 2
5. Motown 3
6. Atlantic and Stax
7. Conclusion
8. Assessment
Lesson 11: The British Invasion: The Beatles
1. Introduction
2. Rock and Roll in the United Kingdom
3. Becoming the Beatles
4. Becoming the Beatles (Continued)
5. Beatlemania
6. The Music of the Beatles
7. From Songs to Recordings
8. Conclusion
8. Assessment
Lesson 12: The British Invasion: The Rolling Stones
1. Introduction
2. The British Blues Revival
3. Making the Rolling Stones
4. Jagger and Richards as Songwriters
5. Breaking into the United States
6. The Rolling Stones’ Music
7. Conclusion
8. Assessment
Lesson 13: The British Invasion Continues
1. Introduction
2. The Animals
3. The Yardbirds
4. The Kinks
5. The Who
6. Conclusion
7. Assessment
Lesson 14: American Reactions to the British Invasions
1. Introduction
2. Garage Bands
3. Rock on TV
4. Rock Made for TV (Continued)
5. Conclusion
6. Assessment
Lesson 15: Folk and Folk Rock
1. Introduction
2. Folk Music Before the 1960s
3. Authentic vs. Commercial
4. Bob Dylan
5. Bob Dylan (Continued)
6. The Rise of Folk Rock
7. Dylan’s Influence During the 1960s
8. Conclusion
9. Assessment
Lesson 16: Psychedelic Rock
1. Introduction
2. Toward a Higher Consciousness
3. The Ambitious Single
4. The Ambitious Single (Continued)
5. The Ambitious Album
6. Conclusion
7. Assessment
Lesson 17: Psychedelic Rock in the Late 1960s
1. Introduction
2. Psychedelic Rock, Folk Rock, and the AM Single Format
3. Psychedelic Rock, Folk Rock, and the AM Single Format (Continued)
4. Psychedelic Rock and the British Blues Revival
5. Psychedelic Rock and the British Blues Revival (Continued)
6. Psychedelic Rock, the Blues Revival, and the Avant-Garde
7. Psychedelic Rock, the Blues Revival, and the Avant-Garde (Continued)
8. Conclusion
9. Assessment
10. Written Assignment 2
Lesson 18: Psychedelic Trends in the Late 1960s
1. Introduction
2. The San Francisco Scene 1
3. Psychedelic Rock, Folk Rock, and the AM Single Format (Continued)
4. The San Francisco Scene 2
5. The San Francisco Scene 3
6. The Rise of FM Radio
8. Utopian Psychedelia
9. The Darker Side of Psychedelic Rock
10. Conclusion
11. Assessment
Lesson 19: Monterey, Woodstock, and Altamont
1. Introduction
2. The Monterey International Pop Festival
3. The Woodstock Music and Art Fair
4. The Woodstock Music and Art Fair (Continued)
5. The Altamont Speedway Free Festival
6. Conclusion
7. Assessment
Lesson 20: Midterm Exam
Lesson 21: Country Rock and Southern Rock
1. Introduction
2. Country Rock
3. Country Rock (Continued)
4. Southern Rock 1
5. Southern Rock 2
6. Southern Rock 3
7. Conclusion
8. Assessment
Lesson 22: Prog Rock
1. Introduction
2. Origins of Prog Rock
3. Prog Rock Comes of Age 1
4. Prog Rock Comes of Age 2
5. Prog Rock Comes of Age 3
6. Conclusion
7. Assessment
Lesson 23: Prog Rock Continues
1. Introduction
2. Genesis
3. Genesis (Continued)
4. Pink Floyd
5. Pink Floyd (Continued)
6. Frank Zappa
7. Conclusion
8. Assessment
Lesson 24: Fusion
1. Introduction
2. Jazz After Swing
3. Bitches Brew
4. Selling Out?
5. Fusion in the 1970s
6. Fusion in the 1970s (Continued)
7. Conclusion
8. Assessment
Lesson 25: Hard Rock
1. Introduction
2. Hard Rock: Predecessors
3. Hard Rock: Early Examples
4. Led Zeppelin 1
5. Led Zeppelin 2
6. Led Zeppelin 3
7. Led Zeppelin Influence
8. Conclusion
9. Assessment
Lesson 26: Heavy Metal in the 1970s
1. Introduction
2. Heavy Metal’s Musical Style
3. British Heavy Metal
4. British Heavy Metal (Continued)
5. American Heavy Metal
6. Heavy Metal in Other Countries
7. Conclusion
8. Assessment
Lesson 27: Glam Rock
1. Introduction
2. Elements of Glam Rock
3. T. Rex and Gary Glitter
4. David Bowie
5. David Bowie (Continued)
6. Elton John
7. Queen
8. Kiss
7. Conclusion
8. Assessment
Lesson 28: The Roots of Punk
1. Introduction
2. The Roots of Punk: The Velvet Underground
3. Other American Proto-Punk Artists
4. New York Punk
5. New York Punk (Continued)
6. Conclusion
7. Assessment
Lesson 29: British Punk
1. Introduction
2. The Rise of Punk in the United Kingdom
3. The Sex Pistols
4. British Punk Bands in the Wake of the Sex Pistols 1
5. British Punk Bands in the Wake of the Sex Pistols 2
6. British Punk Bands in the Wake of the Sex Pistols 3
7. Conclusion
7. Assessment
Lesson 30: From Soul to Funk
1. Introduction
2. Music and the Civil Rights Movement
3. James Brown
4. James Brown’s Band
5. The Musical Language of Funk
6. Sly and the Family Stone
7. George Clinton and the P-Funk
8. George Clinton and the P-Funk (Continued)
9. Funk and the Media
10. Conclusion
11. Assessment
Lesson 31: Disco
1. Introduction
2. Predecessors and Roots of Disco
3. The Music and Technology of Disco
4. The Music and Technology of Disco (Continued)
5. Disco Enters the Mainstream
6. Disco Enters the Mainstream (Continued)
7. Conclusion
8. Assessment
Lesson 32: New Wave
1. Introduction
2. The Musical Language of New Wave
3. New Wave at CBGB
4. New Wave at CBGB (Continued)
5. New Wave Looks Backward
6. New Wave Looks Backward (Continued)
7. Conclusion
8. Assessment
Lesson 33: MTV
1. Introduction
2. TThe Invention of MTV
3. A Second British Invasion?
4. A Second British Invasion? (Continued)
5. Race and MTV: The Case of Michael Jackson
6. Race and MTV: The Case of Michael Jackson (Continued)
7. Sex, Feminism, and MTV: The Case of Madonna
8. Conclusion
9. Assessment
Lesson 34: Heavy Metal in the 1980s
1. Introduction
2. The Second Generation of British Heavy Metal
3. The Second Generation of British Heavy Metal (Continued)
4. American Heavy Metal
5. American Heavy Metal (Continued)
6. Hair Metal
7. Thrash Metal
8. Conclusion
9. Assessment
Lesson 35: Hip-Hop
1. Introduction
2. The Roots of Hip-Hop
3. Early Commercial Hip-Hop
4. Hip-Hop Goes Mainstream
5. Hip-Hop Goes Mainstream (Continued)
6. Hip-Hop Takes Over
7. Conclusion
8. Assessment
Lesson 36: Keepers of Tradition
1. Introduction
2. The Everyman
3. Blue-Eyed Soul
4. New Wave in the 1980s
5. Prog Rock Adapts
6. Hardcore Punk
7. Hardcore Punk (Continued)
8. Conclusion
9. Assessment
Lesson 37: The Rise of Alternative Rock
1. Introduction
2. The Rise of Alternative Rock
3. Grunge Rock
4. Grunge Rock (Continued)
5. Riot Grrrls
6. Jam Bands
7. Conclusion
8. Assessment
Lesson 38: Alternative and Metal in the 1990s
1. Introduction
2. Listening to Music in the 1990s
3. Britpop
4. Industrial
5. Industrial (Continued)
6. Pop Punk
7. Conclusion
8. Assessment
Lesson 39: Hybrids and Genres Without Definition
1. Introduction
2. Rap Meets Rock 1
3. Rap Meets Rock 2
4. Rap Meets Rock 3
5. Everything but the Kitchen Sink
6. Everything but the Kitchen Sink (Continued)
7. Conclusion
8. Assessment
8. Written Assignment #4
Lesson 40 - New Modes of Consumption
1. Introduction
2. American Idol
3. YouTube
4. Streaming Audio
5. Reality Television
6. Conclusion
7. Assessment
Lesson 41 - 21st Century Directions in Rock
1. Introduction
2. Women in Rock
3. Indie Rock
4. Lo-fi
5. Folk Rock Revivals and Hybrids
6. Conclusion
7. Quiz
Lesson 42 - The Presence of the Past
1. Introduction
2. Artists with Staying Power
3. Rock Musicals
4. Supergroups
5. Conclusion
6. Quiz
Lesson 43: Final Exam
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OnMusic Rock Third Edition is designed to help students develop an understanding of both the musical and cultural roots of Rock music.
Covering everything from rock origins to today, the focus of OnMusic Rock Third Edition is on listening and comprehension.
Rock music is explored in its historical context but also experienced from a purely musical perspective. Encompassing text, music, listening guides, videos, assessment, discussions, administrative tools, and more, OnMusic Rock Third Edition is the best choice for your online, hybrid or face-to-face course.
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Music – CMusic is the focus of this title, and there are over 600 streaming songs from pre-rock origins to today.
Listen to Lecture – Text is narrated for online listening or downloadable for offline playback.
Discover Video – Videos in every chapter reinforce understanding and engagement while exposing students to original artists in historical context. Our video applet keeps students on the page in the course and on task.
Graphical Listening Guides – Listening guides help students explore the inner workings of a piece of music. Our listening guides examine structure, text, texture, instrumentation, style and more.
Tests & Quizzes – Our title contains a comprehensive set of auto-graded quizzes and tests. There are also ready-to-use written assignments and discussion forums topics. All testing is fully integrated and flows naturally from the text.
Customization – OnMusic Rock Third Edition is offered in our powerful, yet easy-to-use WebText platform. Instructors can add, remove, and edit content, assessment material, and assignments at will, or leave it as is for a great out of the box experience. Additional Features in every chapter
Lesson Overview and Lesson Objectives – Keeps students focused
Test Yourself – Instant feedback to students
Artist Profiles – Information on performers, writers, and other important artists
Flash Cards – Interactive self study tool
Self Quizzes – Drag and drop key words and concepts
TComprehensive Instructor Guide – For the busy or first time instructor
OnMusic Rock Third Edition Access code Code
ISBN:978-0-9991160-1-2